For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

Ansel Adams produced some of the century's truly memorable photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the first volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to harness the camera's artistic potential. It rem...(展开全部)

Book Description 近年來女性主義電影批評已在電影研究中開創了一個全新的領域，它不斷開發出啟迪人心、聰敏機智而令人興奮的作品，而且還強烈地影響了男性評論家的作品。 在這個新領域的理論研究上，已呈現百家爭鳴的豐碩現象，其範圍涵蓋了社會學、政治學、結構主義、心理方析；作者從中提出了一個獨特而創新的綜論，以社會結構的層面探討影片中女性角色的種種變貌，並以四部不同時代的好萊塢電影（《茶花女》、《金髮維納斯》、《上海小姐》、《慾海花》）及數部歐美、第三世界的獨立製片電影（《德國姊妹》、《關於一個女人的電影》、《女兒的儀式》、《這樣或那樣》、《驚悚》、《人面獅身之謎》等）來分析傳統上電影如何表現女性，威權式的影像如何宰制女性，以及女性電影工作者如何回應這種種現象。其在影片分析上既平易近人而又生動，而在爭論性頗大的理論論述上則深入而翔實，因此本書不但...(展开全部)

Book Description 近年來女性主義電影批評已在電影研究中開創了一個全新的領域，它不斷開發出啟迪人心、聰敏機智而令人興奮的作品，而且還強烈地影響了男性評論家的作品。 在這個新領域的理論研究上，已呈現百家爭鳴的豐碩現象，其範圍涵蓋了社會學、政治學、結構主義、心理方析；作者從中提出了一個獨特而創新的綜論，以社會結構的層面探討影片中女性角色的種種變貌，並以四部不同時代的好萊塢電影（《茶花女》、《金髮維納斯》、《上海小姐》、《慾海花》）及數部歐美、第三世界的獨立製片電影（《德國姊妹》、《關於一個女人的電影》、《女兒的儀式》、《這樣或那樣》、《驚悚》、《人面獅身之謎》等）來分析傳統上電影如何表現女性，威權式的影像如何宰制女性，以及女性電影工作者如何回應這種種現象。其在影片分析上既平易近人而又生動，而在爭論性頗大的理論論述上則深入而翔實，因此本書不但...(展开全部)

Drawing on interviews with the master photographer himself, this is a fascinating volume repatriates some of Karsh's most iconic portraits with the stories behind them. In August and September of 1988, Yousuf Karsh's long-time assistant, Jerry Fielder, sat down with the master photographer and taped over nine hours of recollections of the many portrait sessions he'd experienced...(展开全部)

From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah's The Women—at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided. Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern C...(展开全部)